
Wieden+Kennedy is an independently owned American advertising agency founded on April 1, 1982. It is best known for its work for Nike. The advertising agency was founded by Dan Wieden and David Kennedy. It is located in Portland, Oregon, and it is consider one of the largest independently owned advertising agencies in the world.
Wieden + Kennedy made an interesting ad commercial for Nike named Vapor Trail which involves the best soccer player in the world as the main character. The concept of the ad is quite simple, which is that you can be moving insanely fast on a soccer field when you are wearing Nike soccer clits. The commercial is creative because there seems to be a comparison between Cristiano Ronaldo and a tornado. Cristiano Ronaldo the Portuguese soccer player is moving so fast that he is pulling up the grass, lifting defenders into the air and taking the stadium with him as he dribbles the soccer ball. The idea is creative and humorous at the same time because there are other players holding to posts and to anything they can find so that they aren’t pulled by the tornado (Cristiano Ronaldo). The rhythm of the commercial is separated in two parts. Half of the commercial is based on slow motion which shows players flying in the air in slow motion and the stadium slowly falling apart. Once the commercial shows up the person responsible for the mass, the commercial begins playing in fast motion which adds more action to the scene. The music goes along with the rhythm of the ad. The music is Flamenco music which involves beautiful guitar playing in the background. The music starts by playing something very slow and relaxing for the slow motion part. Then the guitar music picks up to something faster and with more rhythm to go along with the fast movement of Cristiano Ronaldo. The commercial ends up by Cristiano Ronaldo scoring a goal and then the tornado begins to calm down….and people finally begin to fall down on the field. The music, concept, rhythm, and creativity of the ad are very successful.
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Communications Arts Dec. 2004: pg. 122. Print.


